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A woman named Sybil. Feminine Points to 50 years after his death

do not know if I was a woman, I do not know if I was the spirit. Son was love. "

So in the letter of 11 July 1927 Sibilla expresses his existential condition. What does it mean to be a woman? Cogito ergo sum of Al Descartes replaces I love therefore I am. Love is not just that of the "shivering in the flesh", but what makes it new every time, free, as every woman should be. The heart of feminism with Sibilla is not only assuming the rights and duties of men, ie not become equal to men, but they can be free to love, live, and even die as a woman, and all this for Sybil, it means write. It can be said that love is the essence of poetic Sibilla. "The little that a woman can achieve in the field of poetry is the result of a power infinitely more manly tremendous tension." The voltage produced the absolute size of a living other than that Sibyl is charged on their skin: "The company will not forgive me just this, I do not forgive me to go alone and helpless, I am a woman and that she is condemned by implication, even in its silence so d ' being, his armor, his daggers, his poisons. I do not forgive, and she takes it, and it is logical. " Sybil began writing poetry very late, "The song was later given off by me, so later when I have found for the first time away from any spiritual awe, far from all, alone, with so much love in my heart, but free, no one around who could hear my voice, no one who held me, shy, silent. " Sybil sings love as he sings his being, melody. About his love: "And men have believed that I pursued art, freedom, pleasure ... But at the same time they saw me on the sign of something ineffable that transcended everything. Glider wings around the front of the world ... ... unspoken words and visions that they were not even all the reasons I said ... I'm returning to my poems at great distances. " Sybil sings its uniqueness, its own particular look and sometimes find in the arms of the men who love what distinguishes it from any other in the creative act of love as well as his poetry. '.. Different from each other, irreplaceable, one lady and myself "Anticipating many years in which we recognize that women in modern times Sibilla reminds us that love does not exist as an absolute value, which may find expression in art, but above all that love is the brainchild of a woman . "Because I am a born poet, not holy."

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LOOK BEYOND

THE HORIZON

What Is The Height Of Collimation

The Best Years of Our Lives ...

I think every day is like a miraculous catch of fish and beautiful
is suspended on a soft pink cloud I like a gentleman and you
as a bride out the window as it flies only
dust storm is in the air. It will be the two of us we are in another, distant planet
but the world seems to be here only a trapdoor secret everyone wants everything to
then realize that it is nothing we will not like other people these are and will remain forever
the best years of our lives the best years of our lives
hold me tight, no night infinite
the best years of our lives. Hold me tight, no night is endless
the best years of our lives.

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Piazza Armerina, tonight at the Church of Fundrò concert harp and guitar

tonight at 20.00 at the Church of San Rocco (Fundrò) located in Piazza Garibaldi, in the Christmas program arranged by the local administration, to be held in Piazza Armerina a concert harp and guitar. This is a concert of duo "Affinity duet, composed dall'arpista Verdiana Matilde Pinto and guitarist Mario Scire Chianetta. The harpist Verdiana Matilde Pinto was born in Messina in 1978. She studied harp at the Conservatoire Corelli A. Messina with various teachers MLLorè, M. Calarco, L. Clementi, Madini V. Moretti, L. Rossi. She has worked with the masters: Book of Judith, Lucy Clementi, Lisette Rossi. She graduated in 2000 in Harp. He received his advanced theoretical and analytical with the highest grades under the guidance of Maestro Mario Musumeci, besides helping with the writing of an essay Quaderni del Conservatorio di Messina Corelli "Analysis and Interpretation" published by the publishing house and a publication on Samperi Journal of Theory and Pedagogy Musical Analysis ", published by Ricordi. He has often worked as a harpist with the Teatro Vittorio Emanuele "the" Birmingham Opera Festival Orchestra "F. Cilea" Palmi accompanying Katia Ricciarelli in concert.

The first part of the concert will be devoted to a repertoire of traditional Christmas classics performed in duo with classical guitar and harp, followed by a second part is dedicated to running solo classical guitar and harp. The conclusion of the concert will be entrusted to a repertoire of Celtic music even Christmas tradition, performed with a Celtic harp.

The Harp

The harp is a plucked string musical instrument, with 47 strings stretched between the soundbox and a shelf, with an extension of six and a half octaves and sang in D flat major. The sounds are unrelated to this shade can be obtained by acting on the pedals 7 double notch, each string is capable of producing three different notes and it is possible to construct a color scale. The harp, which has reached its present form through continuous improvements and modifications, is very old instrument, known initially in Asia Minor and Egypt: documented since 3000 BC, it has a copy, which dates back to 2700 and comes from the Sumerian -Mesopotamia. The Celtic harp or Gaelic harp, known in Scottish Gaelic "clarsach" and Irish "cláirsach" is a traditional stringed instrument of the European countries of Celtic area. The earliest examples of Celtic harp are to be found in Scotland, where he appeared during the eighth century and later spread to Ireland from the twelfth century and then in Wales and Brittany.
The triangular Celtic harp differs from ARPA used in classical orchestras. In fact, it is smaller than classical harp, and unlike the large concert harp, Celtic harp has no pedals, keys, called lever by which we obtain the semitones. The strings of the ancient Celtic harps were metal or gut of sheep, but now they can also be nylon or carbon fiber, and you can play with the fingertips, while the strings are played with metal nails.

Celtic music

The term "Celtic music" is without a doubt a pure definition of convenience, usually associated with a set of musical traditions that present some analogies that are quite distinct and strongly characterized since it would be more correct to speak of "music of the countries of the Celtic tradition." This kind of music it covers a broad spectrum of musical genres that evolved from the traditions and folk music of the Celtic peoples of Western Europe. The term Celtic music may refer either to the music of tradition transmitted orally that popular music with some superficial similarities to the folk styles of the Celtic peoples. Celtic music, being a popular music, a "music of the people" is not purely a written tradition, as sacred or classical music, but mostly over the centuries has been passed down orally.