I think every day is like a miraculous catch of fish and beautiful
is suspended on a soft pink cloud I like a gentleman and you
as a bride out the window as it flies only
dust storm is in the air. It will be the two of us we are in another, distant planet
but the world seems to be here only a trapdoor secret everyone wants everything to
then realize that it is nothing we will not like other people these are and will remain forever
the best years of our lives the best years of our lives
hold me tight, no night infinite
the best years of our lives. Hold me tight, no night is endless
the best years of our lives.
Monday, December 28, 2009
What Is The Height Of Collimation
The Best Years of Our Lives ...
Friday, December 25, 2009
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Piazza Armerina, tonight at the Church of Fundrò concert harp and guitar
tonight at 20.00 at the Church of San Rocco (Fundrò) located in Piazza Garibaldi, in the Christmas program arranged by the local administration, to be held in Piazza Armerina a concert harp and guitar. This is a concert of duo "Affinity duet, composed dall'arpista Verdiana Matilde Pinto and guitarist Mario Scire Chianetta. The harpist Verdiana Matilde Pinto was born in Messina in 1978. She studied harp at the Conservatoire Corelli A. Messina with various teachers MLLorè, M. Calarco, L. Clementi, Madini V. Moretti, L. Rossi. She has worked with the masters: Book of Judith, Lucy Clementi, Lisette Rossi. She graduated in 2000 in Harp. He received his advanced theoretical and analytical with the highest grades under the guidance of Maestro Mario Musumeci, besides helping with the writing of an essay Quaderni del Conservatorio di Messina Corelli "Analysis and Interpretation" published by the publishing house and a publication on Samperi Journal of Theory and Pedagogy Musical Analysis ", published by Ricordi. He has often worked as a harpist with the Teatro Vittorio Emanuele "the" Birmingham Opera Festival Orchestra "F. Cilea" Palmi accompanying Katia Ricciarelli in concert.

The first part of the concert will be devoted to a repertoire of traditional Christmas classics performed in duo with classical guitar and harp, followed by a second part is dedicated to running solo classical guitar and harp. The conclusion of the concert will be entrusted to a repertoire of Celtic music even Christmas tradition, performed with a Celtic harp.
The Harp
The harp is a plucked string musical instrument, with 47 strings stretched between the soundbox and a shelf, with an extension of six and a half octaves and sang in D flat major. The sounds are unrelated to this shade can be obtained by acting on the pedals 7 double notch, each string is capable of producing three different notes and it is possible to construct a color scale. The harp, which has reached its present form through continuous improvements and modifications, is very old instrument, known initially in Asia Minor and Egypt: documented since 3000 BC, it has a copy, which dates back to 2700 and comes from the Sumerian -Mesopotamia. The Celtic harp or Gaelic harp, known in Scottish Gaelic "clarsach" and Irish "cláirsach" is a traditional stringed instrument of the European countries of Celtic area. The earliest examples of Celtic harp are to be found in Scotland, where he appeared during the eighth century and later spread to Ireland from the twelfth century and then in Wales and Brittany.
The triangular Celtic harp differs from ARPA used in classical orchestras. In fact, it is smaller than classical harp, and unlike the large concert harp, Celtic harp has no pedals, keys, called lever by which we obtain the semitones. The strings of the ancient Celtic harps were metal or gut of sheep, but now they can also be nylon or carbon fiber, and you can play with the fingertips, while the strings are played with metal nails.
The triangular Celtic harp differs from ARPA used in classical orchestras. In fact, it is smaller than classical harp, and unlike the large concert harp, Celtic harp has no pedals, keys, called lever by which we obtain the semitones. The strings of the ancient Celtic harps were metal or gut of sheep, but now they can also be nylon or carbon fiber, and you can play with the fingertips, while the strings are played with metal nails.
Celtic music
The term "Celtic music" is without a doubt a pure definition of convenience, usually associated with a set of musical traditions that present some analogies that are quite distinct and strongly characterized since it would be more correct to speak of "music of the countries of the Celtic tradition." This kind of music it covers a broad spectrum of musical genres that evolved from the traditions and folk music of the Celtic peoples of Western Europe. The term Celtic music may refer either to the music of tradition transmitted orally that popular music with some superficial similarities to the folk styles of the Celtic peoples. Celtic music, being a popular music, a "music of the people" is not purely a written tradition, as sacred or classical music, but mostly over the centuries has been passed down orally.
Sunday, December 20, 2009
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Broken Embraces Almodovar: "A film still has to be done, even in the dark ..."

Last Sunday I saw "Broken Embraces", the latest film by Pedro Almodovar with lovely intense Lena-Penelope Cruz. I've always loved this film from the look a little melodramatically crowds with his sense of grotesque black comedy and drama, with its time film sometimes dilated even so annoying ... I have to say, for a variety of reasons, perhaps because of intellectual laziness, lately I have left to escape the films of Almodovar. But this time I decided that I could not lose and as soon as I saw the posters, I rushed to the cinema ...
I would punch line of the character from the director no longer blind Hurry-Caine, the man who looks at the sea through the eyes of the heart, alias Mateo Blanco (perhaps the alter ego of Pedro?): "A film is still over, even in the dark ... " Someone trying to break at any cost the latest Almodovar (objectively instroncabile) explained the joke by explaining that clearly the intent and the correct starting point the director had been represented in "The Embrace broken "by the" dark turn "... In reality, the director offers us this joke with an apparently disparaging crack about life and human relationships. Life, just like a movie, to be built," mounted "day by day, because each circle can be closed at the end, because every link and every event can know its final realization. And, the melodrama, then, is conducted in "Broken Embraces" up to the paroxysm of insane and dell'insensato, the atmosphere-road is doing mock-yellow-thriller to come, at last, the banality of an accident without a reason and without a like for. Ladies and Gentlemen, here served
life ... The last kiss scene in slow motion before his death, a kiss and looked infinitely expanded by the protagonist, as if to convince themselves and will convince us that there may be links and passions that last forever (even though you know that "forever" does not exist, to use the deboluccio but at times moving, "Saturno contro" Fernan Ozpetek) made me think of a memorable scene and movie times intentionally and infinitely expanded, from one of the cornerstones of the romantic film, "Doctor Zhivago." The scene where Lara goes away forever look back on the sled and runs up and Yuri in the ice house to look away for the last time knowing that you do not see each other anymore ...
Before see the movie someone had told me that it was a difficult film, "heavy" (as the saying goes), a film about violence against women. But I am afraid it is not. This is a film of passions, their ability to give life to those who are now resigned, but also on their ability to turn into destructive elements. The passions that penetrate the lives of these three characters, his-hers-the-other, in a triumph of disturbing cliché, following her husband-not her husband who is stalking his wife on the set-not his wife (who in the backstage whispers his torment to the director-lover) but in this case, not satisfied with the images without sound, but the double by an actress (or speech therapist?) specially engaged, Reading (without pitch) the words through the movement of the lips. Lips that do not emit sounds, eyes blind mountain scenes in a movie without seeing them, looking for inconsistencies and deliberately carried out with a delicate touch but cruel at the same time, which are themselves the power and poetry of the film. And then, the citations of the great classics of cinema, and even of himself, especially the funny scene that mentions "Women on the Verge of a Nervous Breakdown", in "Girls and suitcases" in the final assembly phase, the film's revenge tycoon Ernesto duty to finish even in the dark. In the background, a question mark on the power of cinema and its ruthless laws. Cinema and life.
Finally, a question that inspired the title of the film: there are hugs that you can not break, the bonds that can not be dissolved? ... Probably not, but maybe we prefer to imagine (or pretend) that there are ...
Thursday, December 10, 2009
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"I tell you how many times they come to you and I would not have recognized ..." The world looks to

Today I will tell you a story. A modern history from the ancient taste, but I am sure you back to many centuries ago ... Starts in Eritrea, a beautiful land, from the greek Erythros which means "red" like the sea which it overlooks.
You should know that a dictatorship exists in Eritrea among the worst in the world. The violent anti-democratic and repressive policies implemented by the Eritrean government primarily affect the population in a country now reduced to terror, in which the presumption of an idea alone can cost the imprisonment, torture, mutilation or death. A country in which they are systematically violated human and civil rights and where the population is constantly harassed.
It 's a country where freedom of worship is forbidden to minority religions and thousands of Orthodox Christians, Evangelical Christians, Muslims and other religious groups are persecuted and imprisoned for acts of formalization without charge and without trial in inhumane conditions .
Since 2000, countless illegal landings Eritrean nationals on the Italian coast. They run their own lives at risk by a human and political situation of repression and the blocking of productive activities sacrificed to the total militarization of paese.Il military service, in fact, is compulsory in Eritrea for an indefinite period. The high school students are forced to attend the last school year at the military training camps. The military service is held in conditions of extreme hardship and unprecedented violence, especially against young female recruits are often subject to rape by their superiors in rank.
To escape this situation, thousands of Eritreans were forced to flee their country trying to reach Italian coasts.
Even Yohanes Terhas and arrived in Italy in ways that only desperation can bring to bear. Many of their fellow passengers died at sea in the desert, in the Libyan or Tunisian prisons because the rejections often violate human rights and be brought back for many means sign your own death sentence.
Yohanes and Terhas are young and have more responsibility '. A child must be born and they do not want to be born in a country where there is no freedom. E 'for him to climb on a boat. Refugees among the refugees, desperate among the desperate. E 'in September 2009 and the boat packed of suffering humanity, in the icy waters of the Strait of Sicily sinks. Many do not make it and Yohanes and Terhas do is to just hold onto the remains of the boat waiting for someone to come to the rescue. In the long hours on the water the only thought is for the baby that Terhas in her womb. If you save, if they can get on the Sicilian coast, where the baby will survive and will call it a male Musie, Mose ', saved from the waters ... And someone help arrives and tends them a hand and many other hands will tend to accept them in Sicily.
's so arriving at the reception center of Brolo Sant'Angelo in Messina. And 'here are refreshed, cared for, it is here that tell of what they have suffered, this is where their life crosses that of a young doctor who has a beautiful name: Angela. And 'the young doctor who takes care of them and the small Musie, born in Italy, hospital Patti, October 19, and Angela, who calls his family to inform them that will lead to the small little family, Piazza Armerina and it is always Angela, supported by his wonderful family, who will work to Yohanes, a small but cozy house, and it is Angela who will take care of all their documents, arrived as if by magic in a very short time.
I was there with my daughter and many friends December 7th to welcome Yohanes, and Terhas Musie in their new home at Piazza Armerina. And it was a wonderful party. They do not speak Italian but love, you know, knows no borders or language. It 'was a moment of great emotion, a true gift of Christmas. In that small house everyone has got something. There have been small and Yohanes with Terhas Musie to receive something from us but we have from them a great gift which is called happiness and that we often forget ...
I've told this story because this too can be a way to thank Angela, his extraordinary family and many friends who wanted to contribute generously to support this new family arrived here from a distant land. I wanted to tell this story because I strongly believe that a little Jesus' Child has arrived in our city ... I wanted to tell this story because in a world where the "other" makes us fear the smile of Yohanes, Terhas Musie and reminds us that there are "other" and "different" but we are all refugees on this earth that is all. I want to say one last thing if you still have some doubts. Yohanes in Eritrea was a carpenter by trade ....
I've told this story because this too can be a way to thank Angela, his extraordinary family and many friends who wanted to contribute generously to support this new family arrived here from a distant land. I wanted to tell this story because I strongly believe that a little Jesus' Child has arrived in our city ... I wanted to tell this story because in a world where the "other" makes us fear the smile of Yohanes, Terhas Musie and reminds us that there are "other" and "different" but we are all refugees on this earth that is all. I want to say one last thing if you still have some doubts. Yohanes in Eritrea was a carpenter by trade ....
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